Getting Sculpture to Speak

I had the amazing, if slightly daunting, opportunity this week to give a paper at the New Voices conference organised by the Henry Moore Institute and Leeds university. My paper explored the idea of using sculpture as a muse for creative writing. I am a short story writer, and my paper explored the adaption of a classical myth, Apollo and Daphne, by the baroque sculptor Bernini, and how, in turn, I am adapting the themes of both Ovid and Bernini in a collection of short stories. What, someone in the audience asked, is the moral imperative of adaptation. It was a fascinating question, and a propos, since the myth and the sculpture are particularly controversial in depicting and/or describing the attempted rape of the nymph Daphne by the god Apollo. In the age of #MeToo, how we are meant to respond to a work that appropriates sexual violence towards women to make a symbolic point? Can we call ourselves feminists, for example, if we find beauty in such a sculpture, and if we disregard such a work, what do we, as a culture, miss out on? For me, writing is the perfect medium to pose difficult questions and though we might not be able to provide answers, we can, and in my opinion should, endeavour to stimulate debate. For example, what kinds of sculptures do we want to see in the public sphere and whose lives would we like to celebrate in sculpture? To what extent are the underlying beliefs and power imbalances that have historically excused and facilitated violence towards women still evident in our world today?
​The difficulty I am finding is not how am I going to have enough to write about, but rather, how on earth am I going to fit it all in!